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Home › Elementor #3464
  • Scanned open letter from Gregory Taylor at Heurikon Corporation about computer music radio broadcasting.
    Open Letter: Towards a Non-Virtual Audience for Your Work. Gregory Taylor,
  • Typed letter on UCSD Center for Music Experiment letterhead recommending Jonathan Glasier to California Arts Council, April 30, 1980.
    Letter of Recommendation for Jonathan Glasier from John Silber, UCSD, 1980. John Silber, 1980-04-30
  • Letter of certification for adapted viola donation by John S. Glasier to Harry Partch Foundation, signed by Danlee Mitchell, March 1, 1978.
    John S. Glasier Viola Donation Certificate to Harry Partch Foundation, 1978. Danlee Mitchell, 1978-03-01
  • Newspaper clipping from The New York Times showing two letters about Harry Partch's 'The Bewitched'
    The New York Times Letter on Harry Partch, April 1959. Peggy Glanville-Hicks, 1959-04-26
  • Letter from David Hill with instructions for listening experiment comparing tuning systems in computer-synthesized musical performances.
    David Hill to Jonathan & Elizabeth. Introduction to Nontraditional Harmony. March 1997.. David Hill, 1997-03-01
  • Open invitation letter to the Invitational Conference on Polyhedral Forms and Musical Intervals, April 14, 1989
    Rim Microtonal Conference 1989 Open Invitation. Jonathan Glasier, 1989-04-14
  • Scanned newspaper letters page from Los Angeles Times discussing electronic music in education and contemporary composition.
    Letters about Electronic Music, Los Angeles Times, April 25, 1977. , 1977-04-25
  • Scanned manuscript page with typed text titled 'Remembrances of Harry Partch' by Harold Driscoll, with editor's note by Jonathan Glasier.
    Remembrances of Harry Partch by Harold Driscoll. Harold Driscoll, 1933-01-01
  • Scanned page of handwritten letter from Ivor Darreg discussing microtonal music and tuning systems.
    Letter from Ivor Darreg, Interval Magazine Vol. 7 No. 3. Ivor Darreg,
  • Scanned page from Experimental Musical Instruments magazine featuring letter from Ivor Darreg on instrument recycling and publication plans.
    EMI Vol. VII No. 3 Letter from Ivor Darreg. Ivor Darreg,
  • Handwritten letter page 2 discussing piano tone processing through fuzzbox and publication plans.
    Letter from Ivor Darreg on piano tuning and fuzzbox experiments, July 1970. Ivor Darreg, 1970-07-10
  • Typed letter page 2 discussing piano tuning, women piano-tuners, and the decline of pianos due to lack of maintenance.
    Letter on Piano Tuning and Musical Instruments, July 14, 1970. Ivor Darreg, 1970-07-14
  • Handwritten letter page discussing intuitive leaps, knight's moves in reasoning, and criticism of spelling reformers. Dated July 24, 1970.
    Letter from Ivor Darreg, July 24, 1970, page 2. Ivor Darreg, 1970-07-24
  • Handwritten letter page 3, dated August 31, 1970, discussing music composition instruction and melody study.
    Letter from Ivor Darreg to ETK regarding music composition and study methods. Ivor Darreg, 1970-08-31
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