Ivor Darreg | Single Page Observations
Bertrand Russell on Time Quanta 
Radio News August 1932: Music from Electrons with comments by Ivor Darreg 
Ivor Darreg on Schubert’s Unfinished Symphony and the Didesis, 1934 
Society of Native American Composers Concert Program, January 9, 1944 
Electronic Music and the Films by Ivor Darreg (Film Music Notes, 1946) 
Electronic Music and the Films by Ivor Darreg (Film Music Notes 1946) p2 
Different Orders of Order, 1949 
Peace and Unity: Essay and Poem by Wesley Newbern 
The Sounding Board: LA Times late 1957 (Ivor Darreg comments) 
LA Times 1957 ‘Fidelity’ Comments in 1984 
Letter to Radio Electronics: Musical Computers. September 1957 
Ivor Darreg. Observations of organ vs. piano, 23 March 1960 
23. Ivor Darreg. Observations on Piano Action and Performer Responsibility, 1960–1980 
Pitch-Bending as a Gateway to Non-Twelve-Tone 
Shall We Improve the Piano? Ivor Darreg 
30. Ivor Darreg Comments on Pianos, 1965 
08. Product Engineering: ‘The Sound of Music—modernized?’ Article about Ivor Darreg, 1965 
Brain to Computer Interface: Quarter Tones in Western Music 
28. Daniel Cariaga reviews Owen Jorgensen at Cal State Long Beach, with Ivor Darreg comments, Los Angeles Times, June 28, 1976 
05. Music is Food for Thought in Computers, New Scientist 1981 
Another Way of Going Beyond The 12 Tones Per Octave 
25. Press Release on J. Talbot Winchell’s Death, October 1981 
Letter to the Editor: Musical Nomenclature and Numaudo. Musical 6-6, 1982 
Der Stern March 1984: ‘Where Piano and Violin Have Exhausted Themselves’ 
Some Concepts Realized by Sound in Ivor Darreg’s Tapes, May 1984 
Relative Importance of some Equal Temperaments 
The Byte Buyer: San Diego Computer Scene, 1985 
Ivor Darreg. Comments on Musical Establishment and Electronic Music. 1985. 
22. LA Times article on Experimental Musical Instruments journal, with comments by Ivor Darreg 
Ivor Darreg comments on German Article about Organ Pipes 
Bill Irwin. Organ Workshop: A Quick Trip Through Musical Time. 1986. 
Musical 6-6 Newsletter 1st Half 1986: Dialog on Commas and Key-Signatures 
16. SD Union 1986-02-16 English Grammar by Michael Grant with comments by Ivor Darreg 
24. Ivor Darreg letter to the editor, San Diego Reader, April 24, 1986 
Music Under Attack From All Sides by Ivor Darreg 
Defining One’s Terms by Ivor Darreg, June 1988 
Partch’s Pitches from Xenharmonic Bulletin 11, Page 1 
Transpectra and David Scheirman Julian Recording Event 1982 
Attention Composers and Arrangers by Ivor Darreg 
Keyboard Magazine August 1990: On Synthesizer Market Decline 
Summer Summary for the Interval Foundation, August 1990 
Ivor Darreg’s Comments on Using Zeros in Microtonal Composition 
Ivor Darreg. Observation on Musical Technology and the Piano Industry. 1990. 
Ivor Darreg thoughts. 5 October 1990. 
Estimate: Pianos Required to Perform Ivor Darreg’s 22 EDO Suite, 1990 
13. Interview with Raymond Kurzweil by Jim Bohannon, October 1990 — Ivor Darreg Comments 
13. Ivor Darreg. Musings on Kurzweil. 1990. 
Letter to Editor: Otto Luening & Alternative Scales, Keyboard Magazine May 1991 
04. Ivor Darreg comments on San Francisco cable car sounds and urban noise, 1992 
‘New Moods’ by Ivor Darreg 
‘No Muzak Maestro’ by Art Sidenbaum 
‘Transfer’ by Ivor Darreg 
Additional Information About Ivor Darreg 
Applying Science and Technology in the Service of Art 
Ivor Darreg. ‘Math Needs a New Voice’ 
From just intonation exploration of 19 and 22 EDO temperaments 
How to Translate Japanese Into Greek by Ivor Darreg 
Interfacing Art and Science 
Teen Tunes by Ivor Darreg 
Ivor Darreg. Thoughts on microtonal music practice. 
Ivor Darreg comments on faithful correspondent Paul Nami 
Ivor Darreg on ‘The Future is Not What it Used to Be’ 
Ivor Darreg Statement on Musical Instruments 
Math, Music and Logic by Ivor Darreg 
Meet Ivor Darreg 
Ondes Martenot demonstration with Maurice and Ginette Martenot 
Other Music JI Group – Remarks by Ivor Darreg 
The Beaufort Encipherment 
Twelve Pitches are No Longer Enough by Ivor Darreg 
Vyshnegradski’s Quartertone Harmony – Author’s Preface 
Ivor Darreg. Background on the Megalyra Concept 
Ivor Darreg Commentary on ‘The Meaning of a Literary Idea’